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Next to Farmhouse
Trees and Fire (2025), Vintage bed spring, salvaged rope, miniature toys (firemen, trees, caution road signs, emergency roadside cones), 48” x 48” x 60”

For 24 years, Jennifer Zackin has integrated public art, sculpture, installation, performance, and community engagement into her creative practice, blending art and ritual into everyday life. Zackin’s work has been exhibited in museums nationally and internationally, including the Whitney Museum of American Art, New York, NY; the Lower Manhattan Cultural Council (LMCC) for “TAPS” on Governors Island in NYC; Socrates Sculpture Park, Queens, NY; and more. 

In front of Long Barn
Troika (2018), Welded plastic debris and LEDs, Dimensions variable

Aurora Robson is known predominantly for her innovative, meditative work intercepting the plastic waste stream and has developed numerous techniques for sculpting with plastic debris. She is a recipient of the Pollock-Krasner Grant, a New York Foundation for the Arts Fellowship in Sculpture, a TED/Lincoln Re-Imagine Prize, and a National Endowment for the Arts Grant.

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Pathway to Mountain Stage
Flower Mask (2020), Printed fabric scrim 14.5’ high x 16’ wide

Portia Munson is a visual artist working in a wide range of media, focusing primarily on environmental and cultural themes seen from a feminist perspective. Recent solo exhibitions include: The Pink Bedroom, Museum of Sex, NYC (2023); Bound Angel, PPOW, NYC (2022); Flood, Art Omi, Ghent, NY (2022) and Memento Mori, Pamela Salisbury, Hudson, NY (2022).

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On Long Barn
Shrink Wall .001 (2023), Plaster, steel 8’ x 8’ x 16”

From massive temporal site works to explorative furniture, Ian McMahon’s work coaxes materials out of their everyday processes to extend the limits of what is possible. He is the recipient of numerous grants and awards including NYSCA/NYFA Artist Fellowships in 2014 and 2023 in Craft/Sculpture and a Virginia Groot Foundation Grant in 2016. McMahon’s work has been shown at venues including: Pierogi Boiler Room, Brooklyn, NY; Bemis Center For Contemporary Arts, Omaha, NE; Tang Contemporary, Beijing, China; DeCordova Sculpture Park and Museum, Lincoln, MA; among others. McMahon’s home and studio are located in Newburgh, NY.

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In front of Long Barn
Figurative Horse Column No. 1–3 (2019),  Reclaimed paddock wood fence, farrier nails, steel base, 6’–9’ high, 10” x 10” base (metal rods for stability)

Figurative Column No. 1–3 (2025), Wood, nails, steel base, 6’–8’ high

Heidi Lanino is a figurative abstract artist living and working in the Hudson Valley. Her art has been featured in Palm Beach Mod + Contemporary (2025); Art Miami (2024); Upstate Art Weekend (2023-2025); Lockwood Gallery (2023, 2024; Kingston, NY), curated by Alan Goolman’s the Core Club (2022; New York, NY), curated by Natasha Schl.

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In Gallery
Tygerlight (2021),  Acrylic, dye, ink, spray paint, turmeric, and oxidation on steel, 48” x 63”
Odyssey 7 (2019), Acrylic, ink, pigment, sand, collaged canvas on canvas 63” x 45”
The Rising (2018), Acrylic, ink, brick dust on canvas, 64” x 43”
Mississippi Violet Fire (2022), Acrylic, ink, holi pigment, Mississippi River dirt, Ligurian sea stones, 62” x 51”
Pedernal En Light (2020), Acrylic, ink, pastel, lemon, spray paint, and oxidation on steel, 24” x 24”
En Taos (2022), Acrylic, ink, pastel, spray paint, white sand, and oxidation on steel, Dimensions variable

Pathway to Mountain Stage
Cosmogram (2016–2025), Acrylic, ink, pigment, pastel, sand, glass, silk, paper, canvas, collage, oxidation on steel 96” x 96”
Azure Pearl & the Fault (2008–2024), Acrylic, ink, pigment, oxidation, and ocean-oxidized steel on raw canvas, 84” x 72”
The Tyger’s Last Dream III (2016–2025), Acrylic, pastel, sleeping beauty turquoise pigment, Thar desert sand on ocean-oxidized steel, 96” x 48”

Hudson UnBroken I (2025), Mud, turmeric on river-oxidized steel, 60” x 60” x 24”
Hudson UnBroken II (2025),  Mud, charcoal, indigo on river-oxidized steel, 60” x 60” x 28”

Neil Enggist, of Swiss and Taiwanese descent, is known for his “nature action paintings,” collaborations with nature and polyphonic conversations between human spirit and the wild. His work has been shown in New York, Milan, Mumbai, Luzern, and Zurich, and he has produced several poetry volumes of spiritual experience while traveling.

In front of Long Barn
Pixel (2023), Indiana limestone, 42” x 7 ¾” x 5 ¼”

Sunrise (2023), Indiana limestone, 33” x 12 ¼” x 8 ¼”

Japanese, Brooklyn-based artist Daisuke Kiyomiya creates sculptures ranging from small to large scale, primarily using organic materials such as clay and stone. He has completed large-scale public sculptures in Japan and Switzerland, and notable projects include the New York Public Library, St. Patrick’s Cathedral, Brooklyn Bridge, Trinity Church, Tiffany & Co., the Flick Collection, St. Paul Chapel, St. Thomas Church, Grace Church, Greenwood Cemetery, Players Club, and more.

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In Stanford White Music Barn
Groovy Snow Bird (2024), Digital video

Kiskatom Stream Dance (2023), Digital video

Malibu Ocean Dance (2022), Digital video

Excerpt of Crow Dancer in Snow (2021), Digital video

Freeda Electra Handelsman grew up in a family of artists in Catskill, New York. She is currently based in New York, dancing at Tabula Rasa Dance Theater and freelancing, and most recently performing at NYFW’s PUMA show and in the Venice Biennale Danza Festival in Venice, Italy.

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In Gallery
Tygerlight (2021),  Acrylic, dye, ink, spray paint, turmeric, and oxidation on steel, 48” x 63”
Odyssey 7 (2019), Acrylic, ink, pigment, sand, collaged canvas on canvas 63” x 45”
The Rising (2018), Acrylic, ink, brick dust on canvas, 64” x 43”
Mississippi Violet Fire (2022), Acrylic, ink, holi pigment, Mississippi River dirt, Ligurian sea stones, 62” x 51”
Pedernal En Light (2020), Acrylic, ink, pastel, lemon, spray paint, and oxidation on steel, 24” x 24”
En Taos (2022), Acrylic, ink, pastel, spray paint, white sand, and oxidation on steel, Dimensions variable

Pathway to Mountain Stage
Cosmogram (2016–2025), Acrylic, ink, pigment, pastel, sand, glass, silk, paper, canvas, collage, oxidation on steel 96” x 96”
Azure Pearl & the Fault (2008–2024), Acrylic, ink, pigment, oxidation, and ocean-oxidized steel on raw canvas, 84” x 72”
The Tyger’s Last Dream III (2016–2025), Acrylic, pastel, sleeping beauty turquoise pigment, Thar desert sand on ocean-oxidized steel, 96” x 48”

Hudson UnBroken I (2025), Mud, turmeric on river-oxidized steel, 60” x 60” x 24”
Hudson UnBroken II (2025),  Mud, charcoal, indigo on river-oxidized steel, 60” x 60” x 28”

Neil Enggist, of Swiss and Taiwanese descent, is known for his “nature action paintings,” collaborations with nature and polyphonic conversations between human spirit and the wild. His work has been shown in New York, Milan, Mumbai, Luzern, and Zurich, and he has produced several poetry volumes of spiritual experience while traveling.